Only this time, it didn't possess the same entertainment value or have the strongest writing, which coupled with Hawkins' consistently incredible performances typically makes those installments compelling. It's tiresome that they only and exclusively give Atwater storylines that tie into the trials and tribulations of being a Black cop while consistently battling this plight alone as the only person of color and Black man on the unit.Īnd so much of this storyline felt like a rehashed version of some of the previous storylines. They were trying to get deep, and maybe it would've been effective if we hadn't beaten this drum before and gone down this same path ad nauseam as if this is the only storyline that someone as supremely talented as LaRoyce Hawkins is capable of giving. Hubbard exploits these kids and uses them as sacrificial lambs, discarding them and not valuing their lives any more than- the system? Society? Whiteness? I get what they're angling for here. It felt like the show was dancing on the line with lamenting "Black on Black Crime," and it dug a bit into how teenagers like Louis and Eric are stuck in "kill or be killed" situations, operating under duress with someone like Hubbard.Įssentially, Celeste does everything she can to protect her kids and spare them from a world that judges them harshly and isn't too kind. It's not uncommon, and it's often a topic of discussion when folks discuss the intricacies and realities of violence in urban communities. Wiggins was a reformed gang member, and instead, we learned that Hubbard used teenagers to kill on his behalf. : Is there something else you want to call me? I'm sure every name you have running through.Lawyer: Is there something else you want to call me? I'm sure every name you have running through your head right now you've been called a hundred times. In part, that instigated some of the racial frustrations driving Celeste and Kevin in different ways. The cops were quick to write off the incident as gang violence, especially with Wiggins' death. It seemed to jump from one thing to another, and the others on the team barely registered as involved.Īlthough, the hour did briefly give us Kevin and Hailey and Kevin and Voight team-ups and some Burzek field time, too. It's hard to pinpoint what about this case, and the execution of the installment felt spotty, but it was a bit all over the place. I didn't have to.Īs far as crime scenes go, the shootout at the drive-thru of a fast-food joint gave way an hour that touched on the senseless violence and collateral damage one sees. : It just felt good to be the dude at the bar she met and not the black cop.I didn't have to defend my job or my blackness. Ruzek: How did you manage to avoid telling her you're CPD?Ītwater: It just felt good to be the dude at the bar she met and not the black cop.
Everything seemed great, and the idea that Kevin could start something with this nice teacher who cared about her students was promising until everything else came into play. It was the ass smack heard around the world that sold it. Their hook-up was scorching hot and broke the top five sex scenes this show ever gave us with ease. Kevin and Celeste had great chemistry, and our boy has some serious game. is expected to hit its 100th episode sometime early next year.It was a hell of a one-night stand. earlier this year after the exit of Matt Olmstead. Former SVU showrunner Rick Eid took over as showrunner of P.D.
has also crossed over several times with Dick Wolf’s long-running New York-based cop drama Law & Order: SVU. In addition to crossovers with the other Chicago series, P.D.
#Chicago pd season 5 how to
“This time, we would be the Thursday night show so unless we can manipulate the schedule - which we’ve done in the past - to put Fire first, we’d have to get into the nuts and bolts of how to do that.” Fire‘s a great way to kick off a crossover because naturally you go from a big accident to the hospital to the police figuring it out, which has served us well in the past,” Fire showrunner Derek Haas told THRin August. “The other thing is we’re in new spots this year in terms of how that storytelling would flow. this season after NBC opted not to move This Is Us to Thursdays after all. Also making things tricky was Chicago Fire‘s move to Thursdays at 10 p.m.
0 kommentar(er)
